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‘Surveillance in Nicola
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'Residual Traces of Postmodernism in Contemporary English Literature' in Reconsidering the Postmodern: European Literature beyond Relativism. Eds. Thomas Vaessens and Yra van Dijk Amsterdam: Amsterdam University Press, pp. 123-145.
'The Texture of Modernity in J. G. Ballard's Crash, High-rise and Concrete Island, in J. G. Ballard: Critical Visions, ed. Jeannette Baxter and Roland Wymer. Houndmills: Palgrave, 2011.
'Ian McEwan and the Modernist Consciousness of the City, in Contemporary Critical Perspectives: Ian McEwan, ed. Groes, S. New York/London: Continuum, 2009, pp. 99-114.
'From Shanghai to Shepperton: Crises of Representation in J. G. Ballard's Londons', in Contemporary Critical Perspectives:J.G. Ballard, ed. J. Baxter.New York/London: Continuum, 2009, pp. 78-93.
'Ghost Signs: London's Fading Spectacle of History' Literary London: Interdisciplinary Studies in the Representation of London Volume 5, Number 2, September 2007,
'The blown-by forgotten strands of sky between them': Monica Ali's London, ABC Journal, Volume 8, July 2007, p. 99-127.
'Iain Sinclair's Ships of Fools: The Language of the Mad in Downriver' In: City Visions: The Work of Iain Sinclair. Cambridge: Cambridge Scholar Press, 2007, pp. 174-86.
'McLiterature: The Effects of Globalisation on Literature.' (2003)
British Fictions of the Sixties. Bloomsbury, 2015.
The Making of London: Representations of London in Contemporary Fiction. Palgrave, 2011.
Memory in he Twenty-First Century: Critical Perspectives from teh Arts, Humanities and the Sciences. Palgrave, 2015.
Women's Fiction and Post- 9/11 Contexts. Lexington, 2014.
Ian McEwan: Contemporary Critical Perspectives. Bloomsbury Academic, May 2009. [2ndedition forthcoming 2013]
Kazuo Ishiguro: Critical Visions of the Novels. Palgrave, 2011.
Julian Barnes: Contemporary Critical Perspectives. Bloomsbury, 2011.
Kazuo Ishiguro: Contemporary Critical Perspectives.Bloomsbury, 2009.
'The New Seriousness': Kazuo Ishiguro in Conversation with Sebastian Groes, in Kazuo Ishiguro: Critical Visions of the Novels. Co-Editor with Barry Lewis. Palgrave, 2011, pp. 247-64.
'Journeys without Maps: An Interview with Ian McEwan', by John Cook, Sebastian Groes and Victor Sage, in Ian McEwan: Contemporary Critical Perspectives. Editor and Contributor New Yorkand London: Continuum, May 2009, pp. 123-134.
'Far Away': a review of Kader Abdolah's My Father's Notebook (Canongate) for The Guardian Review, 22 April 2006.
'A Hatred of Reason' - Martin Amis & Sebastian Groes in Conversation. The London Magazine, June/July, 2004, pp. 44-51.
'Truly good writing has a kind of desperation to it' – Iain Sinclair in Conversation with Sebastian Groes, Pretext 11: This Little World, September 2005, Norwich: Pen & Inc, 2005.