|Deborah Jermyn, Nancy Meyers (London & New York: Boomsbury, forthcoming 2017)|
|Stacey Abbott, Undead Apocalypse: Vampires and Zombies in the 21st Century (Edinburgh: Edinburgh University Press, 2016)|
|Chris Darke, La Jetée (Basingstoke: BFI/Palgrave Macmillan, 2016)|
|Deborah Jermyn and Su Holmes (eds.) Women, Celebrity and Cultures of Ageing: Freeze Frame (Palgrave Macmillan, 2015)|
|Caroline Bainbridge and Candida Yates (eds.) Media, Culture and the Inner World: Psycho-Cultural Approaches to Emotion, Media and Popular Culture (Basingstoke: Palgrave Macmillan, 2014)|
|Caroline Bainbridge, Ivan Ward and Candida Yates (eds.) Television and Psychoanalysis: Psycho-Cultural Perspectives (London: Karnac Books, 2013)|
|William Brown Supercinema: Film-Philosophy for the Digital Age (Oxford: Berghahn, 2013)|
|Michael Witt, Jean-Luc Godard, Cinema Historian (Bloomington: Indiana University Press, 2013)|
Stacey Abbott and Lorna Jowett, TV Horror: Investigating the Dark Side of the Small Screen (London: I.B. Tauris, 2013)
Anita Biressi and Heather Nunn, Class and Contemporary British Culture (Basingstoke: Palgrave Macmillan, 2013)
William Brown, Supercinema: Film-Philosophy for the Digital Age (Oxford: Berghahn, 2013)
William Brown and David Martin-Jones (eds.), Deleuze and Film (Edinburgh: Edinburgh University Press, 2012)
Stacey Abbott (ed.), The Cult TV Book (London: I.B. Tauris, 2010).
Stacey Abbott and Deborah Jermyn (eds.), Falling in Love Again: Romantic Comedy in Contemporary Cinema (London: I.B. Tauris, 2009)
Sean Tunney and Garrett Monaghan (eds.), Web Journalism: A New Form of Citizenship? (Eastbourne: Sussex Academic Press, 2010).
Deborah Jermyn, Sex and the City (Detroit: Wayne State University Press, 2009)
Stacey Abbott, Angel: TV Milestone (Detroit: Wayne State University Press, 2009)
Caroline Bainbridge, A Feminine Cinematics: Luce Irigaray, Women and Film (Basingstoke: Palgrave Macmillan, 2008)
Anita Biressi and Heather Nunn (eds.), The Tabloid Culture Reader (McGraw Hill/Open University, 2008)
Paul Rixon, TV Critics and Popular Culture: A History of British Television Culture (I.B. Tauris, 2011).
China: A User's Manual (Written, Produced, Directed and Edited by William Brown, 2012, 113min)
Home Sweet Home (Written and Directed by Enrica Colusso, 2012, 90min). Produced by Les Film d'Ici for ARTE. Premiered at the London Opencity Film Festival, 24 June 2012. Broadcast on ARTE, 18 October 2012. Nominated for the Time Out Best City Film 2012.
Secret City (Directed by Michael Chanan, written by Lee Salter, 2012, 72min). Premiered at the House of Commons, London, 16 October 2012.
Patience (After Sebald) (Directed by Grant Gee, 2012, 90min). Creative Consultant and Interviewer: Chris Darke.
Behind the Scenes (Directed by Karine Chevalier, 2012, 25min). Documentary on the architecture of the Institut français building in London. Premiered at the Ciné-Lumière, London, on 23 September 2012.
The Last Taboo (Produced by Kate Iles, directed by Tony Steyger, 2012, 30 min). Documentary about community activism, clean water and sanitation in Kenya. Funded by The Commonwealth Broadcasting Association for Plan International. Screened at Southampton Film Week and broadcast on the Community Channel.
Brothers and Sisters (Directed by Pablo Romero-Fresco, 2012, 13min). Broadcast on the Austrian channel Okto TV in June 2013.
Common Ground (Written, Produced, Directed and Edited by William Brown, 2012, 93min)
Chronicle of Protest (Written and Directed by Michael Chanan, 2011, 90min). Made in collaboration with The New Statesman.
Lost Tango (Directed, Edited, and Written by Karine Chevalier and Jörg Wagner, 2010, 74min). Produced by Red River, London. Winner of first feature film award at the 2011 Swansea Bay Film Festival, 2011.
Afterimages (Written, Produced, Directed and Edited by William Brown, 2010, 92min)
Origines du Monde (Written, Produced and Directed by Karine Chevalier, 2010, 6min)
Writ in Water (Written and Directed by Jeremy Bubb, 2009, 14min)
En Attendant Godard (Written, Produced, Directed and Edited by William Brown, 2009, 95min)
Michael O'Brien, (un)settled, 7 October 2010. Photographic exhibition, Brighton Photo Fringe.
Paul Antick, itourist #1, Art Moves: International Festival of Billboard Art, Toruďż˝, Poland, 2009. The exhibition included work by Antick, Edward Byrtinsky and Mark Titchener. For further information see http://www.slashseconds.org/issues/002/002/articles/pantick/
Michael O'Brien, Mum's Got to Sell the House, 3 October 2008. Photographic exhibition, Brighton Photo Fringe.
Chris Darke, Curation (with Gareth Evans) of "Chris Marker 1921-2012: The Memory of the Image", The Horse Hospital, 21 October 2012.
Michael O'Brien, Curation of photographic exhibition to accompany the symposium "Photography, Archive and Memory", 5 June 2009, University of Roehampton.
Stacey Abbott (ed.), Special F/X and Television (special issue of Critical Studies in Television: Scholarly Studies for Small Screen Fictions), forthcoming Autumn 2013.
Stacey Abbott and Simon Brown (eds.), The Truth is [still] Out There: The X-Files 20 Years On (special issue of Science Fiction Film and Television marking the 20th Anniversary of the first broadcast of The X-Files), forthcoming Spring 2013.
William Brown and Jenna P-S. Ng (eds.), Avatar (special issue of Animation: An Interdisciplinary Journal), Vol. 7, No. 3, November 2012.
Caroline Bainbridge and Candida Yates (eds.) Media and the Inner World: New Perspectives on Psychoanalysis and Popular Culture (special edition of Psychoanalysis, Culture and Society, Vol. 17, No. 2, 2012)
Karen Cross and Julia Peck (eds.), Photography, Archive and Memory (special issue of Photographies, Vol. 2, No. 2, 2010). http://www.tandfonline.com/toc/rpho20/3/2