Wilkie, Fiona Performance, Transport and Mobility: Making Passage, Houndmills, Basingstoke, Hampshire ; New York : Palgrave Macmillan, 2015
Forster, E. & Heighes, C. Plant Science, London: Somerset House, Inigo Rooms, 16 May –11 June 2013
For further information see here.
Skantze, PA, (2013) Itinerant Spectator/Itinerant Spectacle, Brooklyn, NY: punctum books
Heathfield, A. & Jones, A., (eds.) (2012) Perform, Repeat, Record: Live Art in History, Bristol: Intellect Books
Orley, E. (2012) Places Remember Events
Three Installations: In Mercy for a Trespass (Ruislip, London: Manor Farm); A Patina of Antique Filth (London: Shunt Lounge, 2009); Hampstead Road (London: Camden People's Theatre, 2008)
Bayly, S., (2011) A Pathognomy of Performance, Basingstoke: Palgrave Macmillan
Gorman, S., (2011) The Theatre of Richard Maxwell and the New York City Players, London: Routledge
Greenhalgh, S.,(2011) 'A Stage of the Mind: Hamlet on Post-War British Radio' in Holland, P., (ed.) Shakespeare Survey 64: Shakespeare as Cultural Catalyst, Cambridge: Cambridge University Press
O'Conner, T. (2011) Move.
Move is a creative reserach project devised in collaboration with dancer/choreographer Wendy Houstoun and concerned with methodological democracy in dance/theatre practice.
Parker-Starbuck, J., (2011) Cyborg Theatre, Basingstoke: Palgrave Macmillan
O'Connor, T. (2010) Non
Part of the AHRC Creative Fellowship research project Say the Word, Non explores forms of collaboration that arise from - and in spite of - the 'resistances' of every conversation. An excercise in group authorship built around an invitation to the artist Sophie Calle to produce a single word - 'no' - as a starting point.
White, Graham. (2010 The Unfortunates.
A practice-as-research adaptation of BS Johnson's 1969 novel. To create a parallel interactive experience of memory’s ‘random’ structure for the audience, the dramatization was available in two forms: as a ‘conventional’ but randomised linear broadcast and as individual sections available on a ‘carousel’ on the BBC Website, which listeners could shuffle as they chose. Read more.
Heathfield, A., (2009) Out of Now: The Lifeworks of Tehching Hsieh, London: Live Art Development Agency
Kelleher, J., (2009) Theatre & Politics, Basingstoke: Palgrave Macmillan
Ernst, F. (2008) Allotment.
Three solo performances constructed from almost 20 years of practice: Apple/Seed, Sand/Castle, Passion/Flower. Read more.
Fischer, E. (2008) Ghost Letters.
A fluid installation of miniature landscapes/scenarios on free-standing butler trays, constantly made and unmade throughout the performance, traces through this process the imaginary history of the Leibniz performance collective. Read more.
Fischer, E., The Book of Blood, London, 2006; Nottingham, 2007; Glasgow and London, 2008. For further information see here.