Independent Dance, 19.30, Siobhan Davies Studios
If choreography is usually perceived as an act of writing (dance), what does it mean for making to be understood through the notion of reading? How does the choreographic engage in the present with what is already there, the past, the historical, but also the forgotten or irretrievable?
Dr Efrosini Protopapa is a London-based choreographer and scholar. Her research interests lie in experimental and conceptual practices across dance, theatre and performance and her recent work focuses on notions of thinking, negotiation, disagreement, friendship, value and labour in performance. She has presented choreographic work across the UK, The Netherlands, Germany and Greece, and recently toured a commissioned work by Siobhan Davies Dance that premiered at the Barbican Curve. Lately, Efrosini has been working on a choreographic research project entitled ‘the friend at work’, and co-edited ‘The Practice of Dramaturgy: Working on Actions in Performance’ (Valiz, 2017). She is a Senior Lecturer in Dance at the University of Roehampton where she convenes the MRes Choreography and Performance programme. She also teaches internationally and has published in journals, arts publications and catalogues for performance festivals.
Dr Susanne Foellmer is a dance and theatre scholar. She received her PhD at Freie Universität Berlin, focusing on unfinished corporealities in contemporary dance and performance art. Educated at the Instiute for Applied Theatre Studies at the Justus-Liebig-Universität Giessen (MA degree) her dissertation dealt with dance and drama in the Weimar Era with a special focus on the dancer and actress Valeska Gert, dealing also with re-presentations of gender, politics and inter/mediality. Her most recent research approaches dance and performance from the perspective of “leftovers”, being examined in her current project “On Remnants and Vestiges. Strategies of Remaining in the Performing Arts” (funded by German Research Foundation/DFG).