The Popular Literature and Culture Research Group

Image -  The Popular Literature and Culture Research Group

The Popular Literature and Culture Research Group incorporates research in the field of popular literature and culture studies and cultural theory, as well as theoretical and historical approaches to the study of popular genre fiction from the Early Modern Period, the Victorian Period, and right up to contemporary 21st century literature and culture.

Several members of the Department of English and Creative Writing are currently involved in research projects that explore the historical traditions of popular fiction as a classificatory mode, as well as the politics of specific works of popular genres and mainstream culture. These include a wide range of genre-based approaches to middlebrow literature, adventure fiction, crime fiction, Robinsonade fiction, fantasy literature, utopian and dystopian fictions, science fiction, graphic novels, addiction literature, the literature of food, radical literature, popular theatre, popular visual culture, literature and religion, and other forms of non-literary genres such as journalism and botanical writings. In addition, colleagues within the PLCRG are involved in various external collaborative research projects and organisations within the field of popular literature and culture studies.

Funded PhD studentships are offered through the TECHNE AHRC Doctoral Training Partnership consortium. For further information please visit the TECHNE website and send expressions of interest to ECWTechne@roehampton.ac.uk.

 

The Department of English and Creative Writing and Fincham Press, Roehampton’s own in-house press, are home to the International Journal of James Bond Studies, an academic peer review journal dedicated to publishing interdisciplinary scholarship on all aspects of Ian Fleming's James Bond franchise.

Each issue contains innovative and original research on a range of topics related to the popular cultural history of James Bond. The journal offers contemporary critical readings of James Bond across literature, film, and other popular multimedia, as well as broader criticism of the popular appeal and socio-political importance of Fleming’s – and the spy genre’s – most enduring creation.

Next issue available here.

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To submit an article/review, please go to the Journal's Submissions page.

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