/ Undergraduate /

Film Production

BA (Single Honours)

Start date:

September 2025
September 2026

You'll need:

112–128 UCAS points (or equivalent)

Foundation Year: 64–80 UCAS points (or equivalent)

International Foundation Pathway:
64 UCAS (or equivalent)
IELTS: 5.5

UCAS Code:

W620

W650 (If choosing Foundation Year)

 

On-Campus Open Day
Saturday 12 July 2025

Make a start as a creative storyteller producing audio-visual content, as well as fiction and documentary films. Our course will give you the skills and confidence to succeed as a professional in the arts and media industries. We are ranked in the top 3 universities in London for Film (Guardian University Guide 2024).

Did you know?

This programme holds accreditation from the International Moving Image Society (IMIS), a globally recognised organisation dedicated to promoting excellence and professionalism in film, television, and digital media industries. IMIS accreditation assures that our curriculum meets high industry standards, equipping students with relevant skills and knowledge that align with current professional practices. 

Educational Partnership with BAFTA albert

You’ll have the opportunity to become an ‘albert grad’ and receive a professional qualification in sustainable filmmaking, a growth area in film and TV productions which now increasingly demand environmental certifications towards a greener world.

albert is the leading screen industry organisation for environmental sustainability, it is owned by BAFTA, and support the Film and TV industry to reduce the environmental impacts of production and to create content that supports a vision for a sustainable future.   

 

 

Top 6 in London for Film

(Complete University Guide 2025)

Silver in the 2023 Teaching Excellence Framework (TEF)

For delivering high quality teaching, learning and outcomes for our students.

#1 modern university in the UK for Research

Research Excellence Framework

Foundation Year

This course can also be studied with a foundation year (September entry only).

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Module overview:

This module will give you an opportunity for hands-on experience in the logistical, financial, creative, and people management aspects of the film making process. You will be introduced to the roles in producing and learn that whilst every film involves a series of routine processes, each film is also unique, with its own set of challenges to overcome. Activities will include understanding and answering a professional and real documentary funding opportunity, developing an idea and a synopsis, a creative statement, and put together a confident and engaging demo (including all required production paperwork).You will also develop and complete a production folder following industry requirements working towards the BFI funding scheme BFI NETWORK England short fiction film funding. You will work from an actual script and will be guided to write a director statement, produce a script breakdown, a financial structure as well as a budget, a mood board and team bios. You will also be introduced to the industry requirements in terms of inclusivity and environmental sustainability, and you will have the opportunity to gain your BAFTA albert professional certification.

How you’ll learn:

You’ll learn through a weekly seminar, combining lectures, workshops, hands-on exercises, group work, and professional skills development. You’ll also get 30 minutes of weekly asynchronous support with readings, videos, and online tutorials to build your technical skills.

Module overview:

You will form a variety of industry-model crews and collaborate to locate, research and explore the representation of real subject matter; to deliver a creative, innovative and accomplished 8-10 minute non-fiction film. With the aim of developing narrative and portraying characterisation, you will apply an informed selection of methodologies in relation to subject matter and use increasingly sophisticated cinematic film language to achieve a rigorous and considered piece of work. This requires the ability to analyse and articulate the relationship between filmmaker, subject and approach, as well as an understanding of historical traditions and contemporary approaches, including the modes of documentary; personal, poetical and lyrical styles; political documentary; hybridity; verbatim documentary; use of archive; observation and visual subtext; feminist documentary; and re-enactment. Particular attention is given to critical analysis and practical application of a range of interview and storytelling techniques, from stylised to informal; alongside discussions of ethics, representation, diversity and inclusion. Lectures, screenings and workshops are designed to cover historical, global and cutting-edge trends, with reference to commissioning; emerging technologies; and funding, screening, distribution and exhibition sites and opportunities. Critically for a practical course with accreditation, teaching will be supported by separate high-level, intensive and hands-on technical skills training.

How you’ll learn:

You’ll learn through a weekly seminar and technical training. Your learning will include screenings, analysis, seminars, workshops, group work, and production meetings. You’ll also get 1 hour of weekly asynchronous support with online tutorials, readings, and videos to reinforce technical skills and support your written assessment.

Module overview:

This module focuses on the cinema industries of Africa, Asia, the Middle East, Europe and Latin America. It examines terms such as ‘world cinema’, ‘accented cinema’, ‘transnational cinema’, and ‘migration cinema’ in relation to representation, as well as to historical, political and economic contexts. The module introduces you to the diversity of world cinema, whether in the form of documentaries, drama, or animation, and to the local, regional or national cultures that have given rise to particular modes of film production, stylistic traditions, consumption habits, and social significance. It also examines the cultural, economic and ideological positioning of world cinemas within global patterns of film distribution, consumption and meaning.

We will explore the role of film festivals in the circulation of global cinema and may include a field trip to a London institution or festival involved in the promotion of global cinema. A guest industry speaker will update you on emerging trends. In this way, you will be introduced to film curation and programming as potential career paths.

How you’ll learn:

You’ll learn through a weekly seminar/workshop. These sessions cover key topics, include global film screenings, research skills training, group work, and discussions. You'll also take part in three dedicated workshops to develop your video essay editing skills. Each week, you’ll get 30 minutes of asynchronous support with extra readings and viewings.

Module overview:

This module takes you to deeper understanding and execution of more advanced storytelling techniques and film characters - and their motivations - within a given scripted film story. You will work in groups to pitch and write a short screenplay on a theme, as well as each taking an individual role from the core options of Cinematographer, Sound/Sound Designer, Producer Editor and Director, with optionally a Production Designer. You will form and interpret the screenplay into story beats, scenes and shots while at the same time working to keep the production realistically achievable within the constraints of time, budget, location(s) and available talent. The fiction short as scripted drama or comedy – is foregrounded as the classical form, but docufictions and hybrid forms are also examined and encouraged. Drama and fiction storytelling will be put in context with the critical analysis of case studies and a specific focus on audience and reception, narration theories, genres and concept of popular cinema, as well as the role and importance of short fiction films in the film and TV industry. Critically for a practical course with accreditation, teaching will be supported by separate high-level, intensive and hands-on technical skills training.

How you’ll learn:

You’ll learn through a weekly seminar/workshop, with two weeks dedicated to on-the-ground film production. Your learning will include screenings, analysis, studio practice, group work on set, and technical training. You’ll also receive 20 hours of advanced technical workshops and 30 minutes of weekly asynchronous support with online tutorials, readings, and viewings to reinforce your skills and support written assessments.

These modules are those we currently offer and may be subject to change.

This course offers all students the option of a one-year paid work placement, to boost your employability even further. If you choose this route, you will take the placement following year two of your course, and then return to complete your degree.

Why take a placement?

A placement year is the perfect opportunity to gain valuable work experience, to build on the career skills we will teach you on this degree. The connections you make on the placement will improve your career prospects further, and equip you with the skills you need to secure graduate-level employment.

How we support you

The University's Placement and Work Experience Team are experts at helping you to secure a placement. They will work closely with you from the start, helping you research potential employers, discover placement opportunities, create and pitch your CV, and will coach you to perform well in interviews. We aren't able to guarantee a placement, but our sector-leading advisors will give you the best possible chance of securing one.

Find out more about how we'll support you

We understand that your plans might change once you start your programme. If you decide not to do a placement, you will have the option of completing the three year version of your programme.

Whatever your choice, you will have access to many opportunities for work experience through our Placement and Work Experience Team, and access to face-to-face and 24/7 online careers support.

Module overview:

This module enhances your final year film portfolio to include critical knowledge of the diversity of current moving image practices, including exhibition, alongside the challenges facing practitioners in the contemporary screen industries. It examines a varied global corpus of filmmaking practices, including animated, experimental, documentary and short films, together with the historical, social, geographical, cultural, technological and institutional contexts from which they emerge. Teaching is through a combination of seminars, workshops, field trips and a guest lecture by a visiting industry practitioner. You will debate issues surrounding race, gender, diversity, class, decolonisation, migration, climate, new technologies, sustainable production, and inclusive practices in relation to today’s screen industries. The module builds your EDI awareness, equips you to become informed and engaged practitioners with an innovative, confident and singular critical voice, and prepares you to be ethically conscious practitioners in advance of you entry into the workplace or progression to postgraduate study.

How you’ll learn:

You’ll learn through a weekly seminar/workshop. These sessions will cover key topics, include group work, debates, and blog workshopping. You’ll also benefit from field trips and a guest industry speaker. Each week, you’ll get 30 minutes of asynchronous support with extra readings and viewings.

Module overview:

You will competitively pitch and then form groups around original project proposals, work towards a common goal to launch a feasible, engaging and robust project outline which is then picked up in Group Production: Final and realised in the form of a thoroughly researched, considered and rigorously produced film. The focus in this module is on finding a story, defining an audience, style and approach to support artistic and creative intentions, and creating industry-standard documentation to shape, share and test group and individual-role plans for the short film production, including budgets, schedules, scripts, storyboards and floorplans, treatments, all of which are required in the assessment. The formative work also moves towards the Test Shoot, in which you will test the more challenging aesthetic, technical and logistical aspects of your project in advance of the following term’s production. The film craft and technical skills delivered throughout the programme, alongside intensive research and development into technical strategies and subject matter underpin the key outcomes of this pre-production module. You will be encouraged to work towards a sustainable production to be able to use the BAFTA albert certification for your film. Critically for both learning and to follow the accreditation requirements, the teaching will be accompanied by 20 hours of technical skills delivered by the technical instructors.

How you’ll learn:

You’ll learn through a weekly seminar/workshop, with a strong focus on active learning—such as developing script outlines in class with tutor feedback. Two tutors, specialising in fiction and documentary, will co-teach using a breakout model tailored to your chosen project and role. This approach follows industry best practice and IMIS-accredited standards.

You’ll also receive 20 hours of advanced, role-specific technical training and 30 minutes of weekly asynchronous support with online tutorials, readings, and viewings to support your technical and written work.

Module overview:

This module is designed to support the formation and collaboration of student-led crews to produce drama and documentary projects developed during Group Production: Development. You will utilise high-level technical and creative skills in defined and industry-related roles to produce and post- produce a considered and mature short film demonstrating high production values and practices, sophisticated visual and aural storytelling methods, and multi-layered subject matter. Groups collaborate closely to realise a shared vision, using industry models of production to further develop employable skills and qualities for today’s industry. This experience and the final film demonstrating team and individual achievement provides a basis and calling card from which to build industry careers. Industry guest speakers will deliver workshops and, in some cases, maintain connections to projects throughout the term. These vital role models will provide a crucial link to the latest industry and employment practices, opportunities and career routes. The module ends with a graduation screening at a high-profile venue such as the BFI Southbank, which you will help to organize to showcase your work.

How you’ll learn:

You’ll learn through a weekly supervised practical workshop and seminar. In practical sessions, you’ll complete structured group tasks to prepare for filming while developing professional, inclusive, and tech-enhanced practices. Workshops will give you advanced hands-on training in areas like directing, producing, and sound design, with a focus on diversity and industry standards.

Seminars will function as group work-in-progress meetings, helping you discuss, plan, and monitor your project—mirroring real-world production models. You’ll also receive 20 hours of specialist technical training and 30 minutes of weekly asynchronous support through online tutorials, readings, and viewings to support both technical and written work. All activities follow the Albert scheme to embed sustainability at the core of your work.

 

Module overview:

This module involves completing an individual project based on your interests and strengths, developed over your degree. You’ll focus on research, innovation, and delivering a final outcome to a professional standard. Your project format will match your programme. Alternatively, you can choose a consultancy project, producing a portfolio that documents your work and its outcomes.

How you’ll learn:

You’ll learn through project workshops where you’ll define your project and understand the assessment. After that, supervision will be tailored to your project, with regular check-ins throughout the term. You’ll also have 30 minutes of asynchronous digital support each week.

Module overview:

This module provides an opportunity for an optional work placement year between the second and third year of the degree.

This module is available as an option to all students studying on the listed programmes. This one-year (sandwich year) module is additional to the 360 credits of a 3-year degree programme.

Participating in a work placement year will enable you to develop employability skills across a longer period. It thus complements and builds on the employability skills developed through the curriculum throughout the first two years of the degree programme.  

These modules are those we currently offer and may be subject to change.

This course offers a foundation year, which takes place at the beginning of your studies. Studying a foundation year will give you academic and practical experience, and a strong introduction to your subject, ensuring you succeed on your undergraduate degree.

Find out more about foundation years

30 credits

You will develop your core academic and integrated English language skills of speaking, listening, reading and writing. You will become familiar with key academic skills and concepts, such as referencing methods and awareness of academic integrity and tone. You will apply these skills and knowledge to both broad topics and also your chosen subject pathway.

Teaching and learning

You will be required to actively engage in on-campus learning for up to 10 hours a week.

You will be taught through a full range of teaching and learning methods, which include lectures, seminars, workshops, discussion groups, group directed tasks and presentations. This will enable you to learn from your peers and tutors in both structured and information settings.

You will be encouraged to think creatively about your approach to learning and discussions with your peers. You will also have access to recordings, resources, links and signposting through Moodle to enrich your learning.

Assessment

You will be assessed through group and individual presentations, comparative and reflective essays, multiple choice exams, coursework and reports, oral exams, portfolios, case studies and blogs.

30 credits

You will develop your core academic and integrated English language skills of speaking, listening, reading and writing. You will become familiar with key academic skills and concepts, such as referencing methods and awareness of academic integrity and tone. You will apply these skills and knowledge to both broad topics and also your chosen subject pathway.

Teaching and Learning

You will be required to actively engage in on-campus learning for up to 10 hours a week.

You will be taught through a full range of teaching and learning methods, which include lectures, seminars, workshops, discussion groups, group directed tasks and presentations. This will enable you to learn from your peers and tutors in both structured and information settings.

You will be encouraged to think creatively about your approach to learning and discussions with your peers. You will also have access to recordings, resources, links and signposting through Moodle to enrich your learning.

Assessment

You will be assessed through group and individual presentations, comparative and reflective essays, multiple choice exams, coursework and reports, oral exams, portfolios, case studies and blogs. 

30 credits

You will develop your research, numeracy and information technology skills. You will investigate the difference between primary and secondary research, conduct your own research project and demonstrate your findings through data analysis. You will also develop your awareness of equality, diversion and inclusion in the UK, through a real-world issue; discrimination in the workplace.

Teaching and learning

You will be required to actively engage in on-campus learning for up to 10 hours a week.

You will be taught through a full range of teaching and learning methods, which include lectures, seminars, workshops, discussion groups, group directed tasks and presentations. This will enable you to learn from your peers and tutors in both structured and information settings.

You will be encouraged to think creatively about your approach to learning and discussions with your peers. You will also have access to recordings, resources, links and signposting through Moodle to enrich your learning.

Assessment

You will be assessed through group and individual presentations, comparative and reflective essays, multiple choice exams, coursework and reports, oral exams, portfolios, case studies and blogs. 

30 credits.

This module invites you to take on the role of a video content creator, building on the skills acquired in Fundamentals of Image Making. You will examine the dynamic world of social media as news, with a particular focus on the theme of "identity." You will explore the impact of distributed media, examining how non-professionals contribute to shaping new media practices through platforms like YouTube, TikTok and Instagram.

Throughout the module, you will critically engage with the history and implications of self-promotion on social media, analysing its influence on society and the efforts to address its challenges. You will also explore citizen journalism, where social media content plays a pivotal role in reporting on crises and events inaccessible to traditional news outlets.

Teaching and learning

In weekly seminars, you will explore citizen journalist strategies – from video blogging to video editing – for creating engaging media content. Alongside these hands-on activities, you will engage deeply with thought-provoking questions about identity, voice, and representation in the digital age.

By the end of the module, you will have the skills to create compelling video content and a nuanced understanding of the role of social media in shaping our world.

The teaching delivery for each module consists of one, one-three-hour lecture and one, two-hour workshop per week. Lectures will provide a critical foundation, introducing key concepts such as identity, social media and citizen journalism, while seminars will focus on hands-on skill development.

There will be an additional 30 minutes of online digital support per week. This will consist of virtual learning tools to extend access to resources through online tutorials, videos, and discussion forums.

Due to the highly technical nature of this module, you will be taught in a computer lab equipped with Adobe Creative Suite to support the required software-based learning outcomes.

You will also have access to DSLR cameras, microphones, lighting equipment, and a dedicated photography/filming studio, to facilitate practical exercises in media production.

Assessment

This module will be assessed using critical commentary and a self-produced video.

30% - critical commentary, you will explore the module theme ‘identity’. You will critically analyse a piece of video content that engages with the concept of identity.

70% - self-produced video, you will produce a four-minute video as a piece of citizen bases, engaging with the module theme of ‘identity’.

30 credits

In this module, you will critically explore how media representations are constructed and manipulated. You will examine semiotics, framing, and context, understanding how these elements influence perception.

The module will also address the social and cultural impacts of altered imagery, focusing on the concept of authenticity and the ethical considerations of image manipulation, while reflecting on historical perspectives of visual content authenticity.

You will gain practical skills in photography, learning to control key technical aspects like aperture, shutter speed, ISO, and colour temperature. You will also explore the use of natural and artificial lighting to create specific moods, alongside composition techniques such as focal length and depth of field to enhance your imagery.

The module also introduces you to Adobe Photoshop, starting with basic tools and non-destructive editing techniques. You will advance to more complex methods like masking and compositing, developing a cohesive photographic project. Finally, you will manage workflows and deadlines, preparing your work for an online portfolio to showcase your skills as both a photographer and an image-maker.

Teaching and learning

The teaching delivery for each module consists of one, one-three-hour lecture and one, two-hour workshop per week. Lectures will provide a critical foundation, introducing key concepts such as media practices, and image construction, whilst seminars will focus on hands-on skill development.

There will be an additional 30 minutes of online support per week. This will consist of virtual learning tools to extend access to resources through online tutorials, videos, and discussion forums.

Due to the highly technical nature of this module, you will be taught in a computer lab equipped with Adobe Creative Suite to support the required software-based learning outcomes.

You will also have access to DSLR cameras, microphones, lighting equipment, and a dedicated photography/filming studio, to facilitate practical exercises in media production.

Assessment

This module will be assessed using a research presentation and a creative online portfolio.

30% - research presentation, you will deliver a 5-minute in class exploring the module of theme of ‘authenticity’. This will involve selecting a visual event from a media-related field and critically analysing how the chosen image(s) engage with the concept of authenticity.

70% - creative online portfolio, you will produce a photographic series that creatively interrogates the notion of ‘authenticity of the image’.

These are the current planned modules on this course and may be subject to change.

Skills

You will be immersed in the world of creative filmmaking right from the start.

At Roehampton, you'll refine your skills in:

  • Identifying imaginative concepts 
  • Developing and crafting diverse audio-visual content
  • Creating ambitious drama and documentary films

You will delve deep into the fabric of the UK film and screen industries, navigating a dynamic blend of hands-on film production and cutting-edge theories underpinning contemporary visual media.

You will study in a unique situation: the Roehampton campus is situated on the doorstep of London’s world-beating media industries, but also offers a safe, convenient range of woodland, lakeside, period, and modern urban settings as locations for your film projects.

This course is taught by recognised, working industry professionals, whose productions include BIFA and BAFTA-nominated fiction and documentary films screened in competition at top festivals (Tribeca, Edinburgh, London, Sheffield, and Cannes/ACID), broadcast on BBC, ITV, Channel 4 and Artem, and distributed in over 120 territories.

Our tutors also publish innovative film books with BFI, Routledge, and other leading publishers, and their writing appears regularly in The Guardian, Sight & Sound, Granta, and more.

Our strong industry links ensure students also benefit from visiting workshops and tutorials with top professionals in the global film industry such as Cannes-winning directors and Oscar-winning composers, commissioners, and funders like Netflix and the BFI.

Check out our showreel here, featuring highlights from the final-year films created in 2023/24. It offers a glimpse into the style and quality of our graduation projects.

Learning

Experience a dynamic, contemporary curriculum in state-of-the-art facilities. 

Working closely with your fellow students, you’ll master filmmaking and problem-solving through: 

  • Courses structured like real productions with industry challenges
  • Collaborating creatively with a close-knit community of students,
  • Developing specialisms in directing, writing, producing, cinematography, editing and sound design

You will collaborate on live projects alongside industry experts, mastering both the technical intricacies and artistic nuances necessary to curate a professional portfolio tailored precisely to your career aspirations.

Student using Sony FS7 with an Atomos Shogun Recorder in the film studio
Cutting-Edge Film Studio and Film Editing Suites Enabling students to work in a professional setting
Student using Adobe Premiere Pro
Students shooting a multi-camera production in the film studio
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Unlimited Access to BFI Player

All Roehampton students receive free access to BFI Player, an extensive library of British and global films. This is a hugely valuable resource, especially for Film students, enhancing coursework, research, and personal exploration in cinema—all at no cost.

Adobe Creative Cloud Access Anytime, Anywhere

All students at Roehampton can access the full Adobe Creative Cloud suite, both on campus and at home. With tools like Photoshop, Illustrator, and Premiere Pro, students have everything they need to excel in media, design, and creative projects, whether in class or remotely.

Collaborate Across Creative Disciplines

You’ll also have the opportunity to work alongside students from Dance, Digital Design and Journalism through creative cross-disciplinary modules which offer essential knowledge for working in the cultural industries. 

Field Trips and Placements

With chances to visit high-profile film festivals and enjoy numerous field trips in London, as well as credited work placement at a variety of media, film, TV, and arts organisations, we produce students whose work connects with wide and diverse audiences.

 

Dr Muriel Tinel-Temple

Dr Tinel-Temple was educated in France and has been teaching in UK universities for over a decade. She teaches courses about film and screen cultures focusing notably on independent, alternative and experimental practices.

She also encourages and supervises students in their individual and creative practice, using all type of formats, including audio-visual essays, music videos, video installations, and the innovative re-use of archival material.

An active researcher, she has published books on self-portrait in the moving-image, notably on early video works, and articles on the creative use of found footage and self-reflexive films.

Dr Tinel-Temple organises film-related events, with her first experience being for the Cannes Film Festival, where she supervised the promotion and distribution of short works by emerging filmmakers.

Since then, Dr Tinel-Temple has collaborated with LUX in London and Light Cone in Paris to curate programmes, and co-organised study days and screenings in 8mm and 16mm for Birkbeck Institute for the Moving Image.

More recently, Dr Tinel-Temple organised UK premiere screenings of the work of Jacques Perconte and his Digital Landscapes.

Josh Appignanesi

Josh Appignanesi is a writer/director. Across his six feature films and many shorts, videos and commercials, he's worked with talent including John Malkovich, Tom Hiddleston, David Tennant, Claudia Jessie and Michelle Dockery, writers like Zadie Smith and John Berger, musicians like OMD and Orlando Weeks, and Turner-Prize winning artist Martin Creed.

His most recent feature was climate activist documentary MY EXTINCTION, selected to screen to delegates at COP28 in Dubai, as well as at the Glastonbury Festival 2024.  Prior features include the docufiction HUSBAND (In Competition, Edinburgh Film Festival 2022), surrealist psychothriller FEMALE HUMAN ANIMAL premiering at Sheffield Doc/Fest, and feature doc THE NEW MAN. All were widely-reviewed, theatrically released at Curzons and Picturehouses, and streamed in multiple territories on platforms like MUBI, Curzon Home Cinema, Amazon Prime, and BFIPlayer. 

He also directed the award-winning, David Baddiel-scripted comedy feature THE INFIDEL, starring Omid Djalili, Richard Schiff, Matt Lucas, Miranda Hart and Archie Panjabi.

His debut feature was psychological drama SONG OF SONGS (BIFA nominated, In Competition Rotterdam/ Cannes/ACID), and he also co-wrote Sarah Jessica Parker rom-com ALL ROADS LEAD TO ROME

A BAFTA and BIFA jury member, he sits and advises on various industry bodies, and has taught at London Film School, the Met Film School, Guardian Masterclasses, Film London and Roehampton University, where he is an Associate Professor in Film.

www.joshappignanesi.com

Professor Michael Witt

Professor Michael Witt’s main teaching and research interests lie in the fields of experimental filmmaking, documentary, essay films and video essays, film history and theory, and French cinema.

He has worked closely with many national and international cultural institutions, and curated major film seasons devoted to documentary, experimental cinema, and the films of Jean-Luc Godard for London-based venues such as BFI Southbank and Tate Modern.

Professor Witt holds a PhD in film and television studies and has taught film at Roehampton for over 25 years. In 2017, he looked back on his experience of supporting Roehampton students to create digital audio-visual essays as part of their studies in an illustrated article published in the online European film/media journal NECSUS.

He has published several books on aspects of cinema history, as well as film reviews, articles and interviews in magazines such as Sight and Sound.

He has a particular interest in Godard’s work, and is the author of Jean-Luc Godard, Cinema Historian (Indiana University Press, 2013), which was awarded the 2014 Limina Award for Best International Film Studies Book. His other books include The French Cinema Book, co-edited with Michael Temple (2nd edition, BFI Publishing/Bloomsbury, 2018).

https://pure.roehampton.ac.uk/portal/en/persons/michael-witt

Dr Deborah Jermyn

Associate Professor 

Dr Jermyn has presented her work to a range of international public, media, and academic audiences, from the BFI Southbank to the Melbourne Women in Film Festival.

She is an author and editor of 11 books engaging with popular film and media in varied ways, including analyses of real-crime TV, audience studies, the growth of reality television, and contemporary celebrity culture.

Many of her teaching and writing interests have focused on women filmmakers, including the books Nancy Meyers (2017) and Hollywood Transgressor: The Cinema of Kathryn Bigelow (2003), with current projects examining the films of Gina Prince-Bythewood and Nicole Holofcener.

In recent years, she has been internationally recognised for her work on ageing/society/media which extends across both fiction and documentary film to encompass advertising, social media and digital platforms, and was nominated for a MeCCSA Outstanding Achievement Award in 2024 for her work in this area.

Dr Jermyn came to academia from a background in media publishing, press and publicity and, in addition to being part of the BA Film Production team, she is Deputy Research Degrees Convenor for the School of Arts and Digital Industries at Roehampton. 

Read more about Deborah’s work at: https://pure.roehampton.ac.uk/portal/en/persons/deborah-jermyn 

Dr Karine Chevalier

Senior Lecturer

Dr Chevalier's main expertise lies in the field of French Cinema, Transnational Cinema, Visual Arts and Aesthetics, Francophone Postcolonial Studies, Interdisciplinary and Transcultural Creativity, as well as Filmmaking.

She has extensive experience in teaching low-budget filmmaking, film history and criticism, transcreation, transnational creative project and screenwriting at underground/postgraduate level.

Dr Chevalier holds a BA in Film Practice and Aesthetics, an MA in Research on the Imaginary and a Ph.D in Comparative Literature.

She has published two monographs on memory from both imaginative and cultural perspectives as well as numerous articles about cinema (Bertrand Bonello, Celine Sciamma, Chantal Akerman, Jean Gremillon, Georges Franju, Tony Gatliff, Orson Welles).

The main focus of her multidisciplinary approach as researcher and filmmaker is about the use and representation of Masks, minority voices and resistance in a transglobal world, gender performances, and the representation of violence and its link to the experience of resilience.

Other interests include the Arts, Intermediality, Broken Faces, Youth in Cinema, Cinema from Corsica, Iranian cinema, the Carnival and digital inclusiveness.

https://www.institut-francais.org.uk/events-calendar/whats-on/workshop/french-film-club/

https://blogs.lexpress.fr/london-by-art/

Alexandra Sage

Senior Lecturer

Alexandra graduated with an MA in Film Production (Fiction) from the Northern School of Film Television, and prior to that worked for the Arts Council of England funding artists’ film and video and managing joint production schemes with broadcasters.

In addition, she has designed and managed accredited practical filmmaking courses for organisations including Four Corners Film and the BBC. Her first degree is an MA in English Literature from the University of Edinburgh.

Her skills cover all areas of independent production, with particular expertise in teaching documentary production and critical theory (particularly contemporary practice, experimental and hybrid forms), and sound design. She works closely with students to support group and solo work that has frequently received recognition in the form of awards, and public screenings at festivals and events.

Alexandra lectures on a wide range of BA Film Production modules at undergraduate and postgraduate level and is actively involved in the independent production scene regularly giving talks and appearing on panels at festivals, events and conferences.

She is currently in the post-production stage of an experimental semi-autobiographical documentary New York Stories, exploring the legacy of childhood, location and memory, set in 1960s Manhattan.

Mark Lever

Technical Instructor

Hello, I'm Mark and I am a Technical Instructor on BA Film Production. I have always had a passion for filmmaking and have worked on various projects, including a fan-made episode of Doctor Who and a time travel short film called 'Extra Time.' As a seasoned professional in the field, I love sharing my experience with others. I specialise in teaching workshops on Cinema Cameras, Audio, Lighting, and Video Editing.

Suleman Mahmood

Suleman Mahmood has five years of cinematography experience and collaborated with prestigious clients like Google, UNDP, and USIP. Proficient in handling industry-standard equipment such as ARRI Alexa Mini, RED Epic 8K, Blackmagic, he has contributed to diverse projects including feature films, short films, documentaries, music videos, commercials and educational courses. Notable achievements include Best Film and Best Cinematography for my film, where he served in multiple roles and garnered recognition at international film festivals.

Ross Bennett

Technician Instructor

Ross Bennett brings over 15 years of experience in the film industry to his role as a technical instructor. His background includes work on feature films, documentaries, music promos, commercials, and corporate videos. Ross also spent several years in the rental sector as a technician and engineer, gaining extensive knowledge of nearly all modern industry equipment. In addition, he has expertise in video editing and post-production, along with a strong interest in analogue photography.

Assessment

Push yourself further with real-world assignments. 

You’ll be set authentic assessments, meaning that your projects, tasks and exercises will replicate the working world of film production, ensuring that you are fully prepared for life after graduation.

Between Years 2 and 3, you can also opt for a professional placement year, meaning you can apply for a placement and gain valuable career experience.

Career

Your career journey starts here at Roehampton.

You will graduate as a highly skilled creative with a solid understanding of the competencies and technologies needed to enter roles such as:

  • Film Director
  • Producer
  • Cinematographer
  • Film Editor
  • Screenwriter
  • Production Designer
  • Sound Designer/Editor
  • Location Manager
  • Production Manager
  • Programme researcher
  • Sustainability officer
  • Digital content creator

Wherever you want to go in the future, you’ll be preparing for the world of work from day one at Roehampton, with regular access to:

  • Career development events
  • Guest industry speakers
  • Networking opportunities
  • Personalised mentoring and careers support

You’ll graduate ready to grab every opportunity that comes your way. 

Our careers support team is available to support you from the start of your studies until after you graduate. We will help you build your CV, prepare for interviews, and meet and learn from successful graduates working at the top of their careers.

You’ll also have opportunities to work with our partners across London and beyond, and to attend a Roehampton jobs fair where you can find out about graduate opportunities and meet employers.

Open days

Get a real taste of our campus, community and what it’s like to study at Roehampton

Full-time UK undergraduate students apply through UCAS.

Course subject to curriculum enhancement and revalidation.

Entry tariff

112–128 UCAS points (or equivalent)

Foundation Year: 64–80 UCAS points (or equivalent)

Looking to work out your UCAS points or find out about our entry requirements? Find out more.

When we consider applications to study with us, we form a complete view of your achievements to date, and future potential, and can offer flexibility in entry requirements. Find out more about our Contextual Offer scheme.

September 2025 entry tuition fees

UK (home) tuition fees

Year one fees

Undergraduate degree: £9,535
Foundation Year: £9,535

We offer a wide range of scholarships and bursaries. See our financial support pages for UK students.

We also provide other ways to support the cost of living, including free buses and on-campus car parking, hardship support and some of the most affordable student accommodation and catering in London. Find out more about how we can support you.

International undergraduate students apply through our direct application system.

Course subject to curriculum enhancement and revalidation.

 

Entry tariff

112–128 UCAS points (or equivalent)

International Foundation Pathway:
64 UCAS (or equivalent)
IELTS: 5.5

Looking to work out your UCAS points or find out about our entry requirements? Find out more.

When we consider applications to study with us, we form a complete view of your achievements to date, and future potential, and can offer flexibility in entry requirements. Find out more about our Contextual Offer scheme.

September 2025 entry tuition fees

EU and international tuition fees

Year one fees

Undergraduate degree: £16,950
Foundation Year: £16,950
International Foundation Pathway: £16,950

We offer a wide range of scholarships and bursaries. See our financial support pages for international students.

We also provide other ways to support the cost of living, including free buses and on-campus car parking, hardship support and some of the most affordable student accommodation and catering in London. Find out more about how we can support you.

Need help or advice before applying?

Arts, Humanities and Social Sciences

Integrating the creative dynamism of arts and digital industries with the deep-rooted traditions of humanities and social sciences.

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